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I blend cinematic storytelling with advanced AI to produce videos, apps, and interactive digital environments.

From animation and video to AI pipelines and mini-apps, I turn complex problems into elegant, usable experiences. I approach every project as both a storyteller and a systems builder—designing the visuals, shaping the narrative, and engineering the tools that bring everything to life. Whether it’s crafting a cinematic sequence, architecting an automated workflow, or rapidly prototyping an idea into a working product, I bring creativity, technical precision, and real-world practicality together in one process.

Explore Portfolio

Quick Highlights

For a quick look, below are a few of my favorite highlights. Much more can be seen in my portfolio of course.

A video produced for author Kev Coleman, for his upcoming book launch of, “Our Name is Dare.” Comes out December 2, 2025. Find it on Amazon.

A cinematic short crafted using VEO 3, Kling 2.1, Hedra, and Eleven Labs, with final editing and sound design in Premiere Pro. Focused on immersive jungle suspense and minimal dialogue, the project highlights the ongoing challenge of maintaining character and environment consistency in VEO 3. But...it's getting better! While the character changes a bit from scene to scene, I'm pretty happy with the overall feel. Rendered natively at 1920x1080 with no video upscaling. A moody, atmospheric piece that blends tools to push visual storytelling within current AI limits.

I built this video to showcase the process of how I created an app for Portco Packaging using a blend of creative and technical tools, augmented by AI. What's possible today? Just about anything you can imagine at a fraction of the traditional cost.

Built for global tech giant NTT Data, this video explors the evolution of AI through a firmly, AI-influenced workflow including text-to-image, AI-fueled PS, image-to-video, video lip sync, voice design, and more.

This 38-second short was built as a moving experiment—constantly upgrading the workflow as I went. I started with the driver character, but an early aerial shot inspired a contrast: a slow, oblivious armadillo crossing the road on the very day it gets lucky.

The project pulled in Magnific for texture detail, Kling 2.5 for image-to-video, Hedra and ElevenLabs for VO, Udio for music, Photoshop for prep, Premiere Pro for editing, and even some homemade foley.

Early use of gen AI for source images, then layering and compositing using traditonal video editing methods (Premiere Pro, Photoshop, After Effects). Who knew what was coming down the line to make this workflow so much faster, and able to be experimented with? You’ll see the interactive app element inside the diner (mid-way through the video).

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